Grace Ashdown

Chair of the Sarrum Bank Council and the most visible Ashdown in the county, regularly mistaken for the head of her house. She is not; she commands the mechanism by which its policy becomes money, and has used it against her own family.

Grace Ashdown presides over the Sarrum Bank Council: eleven banks about a table in a private house, bound by agreements that are enforceable nowhere and kept because a bank that breaks the Council’s rate finds that the other ten will not clear its paper. Ashdown’s bank is the largest of the eleven, but she sits in her own right, not as the house. A younger daughter, she took the bank at thirty-one on her brother’s death; she has been the only woman at the table for eleven years and has held the chair for nine, by a rotation that has ceased to rotate. When a Sarrum credit stoppage needs a face, it is hers.

Outsiders routinely take her for the effective head of House Ashdown. The mistake is understandable and constitutionally wrong: Duke Stephen Ashdown holds the Lords seat, the family settlements and the final word on house policy. Grace controls one of the instruments by which that policy acquires force, and twice, both times over whether to call in estate paper in a black year, she has voted the Council against her own family. Both times the house paid. The county holds this admirable or unnatural according to who is speaking; it is also why the associations and the Weavers prefer to deal with her. That an Ashdown should chair a council her family stands behind is a conflict nobody in Sarrum has ever named aloud.

Her reputation is for saying the unsayable thing in the minute and keeping silence upon it afterwards. Her remark on provisioning and vulgarity is quoted across the belt by people who have no idea it was said in a meeting about grain advances. She is held cold and correct in about equal measure, and hers is the displeasure in the High South that is most dreaded and costs most. Much of her power is simply knowledge: she may know a firm is weak before its own workers do, because its bills have begun to arrive late.

The Bank Council does not open its doors in any ordinary sense. It hires through intermediaries, will not put a sensitive commission in writing, and prefers an establishment already used by a hall or a charter company; Grace Ashdown remains the usual channel. Companies meet her, if at all, at one remove: an unwritten commission passed through a third party, and later a quiet word in Fleecegate about how it went. She is the most useful person in the county to a company that needs a door unlocked, and the least advisable one to disappoint.

In person

Grace Ashdown is tall and slender, with rich red hair worn elaborately dressed, a long, controlled and elegant face, dark-green eyes and a pale complexion marked by a small beauty spot beneath one eye. In the least ornamental of the Great Houses she is the conspicuous exception: she loves fine dress and jewellery, and appears in jewel-toned gowns of rich fabric with rings, necklaces, earrings, bracelets, brooches and jewelled ornaments in her hair, the insignia of house and bank worked into the display. The effect is of a woman entirely at ease with being looked at, and entirely aware of what is being counted while she is.